SKU: 64150358850

Maton EBG 808C TE Tommy Emmanuel Signature Guitar Cutaway

$1304.55 $1449.50
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Description

Maton EBG 808C TE Tommy Emmanuel Signature Guitar CutawayMaton EBG 808C TE Designed in conjunction with guitar great Tommy Emmanuel. The TE series guitars are an outstanding tribute to Tommys musicianship and Matons superior craftsmanship. Built to Tommys specifications the TE series provides the huge tone and performance you would expect from a guitar bearing his name. Tommy looks for a guitar with superb tone, capable of the most delicate expression as well as the most ferocious attack. The neck must stay

Maton EBG 808C TE

Designed in conjunction with guitar great Tommy Emmanuel. The TE series guitars are an outstanding tribute to Tommy’s musicianship and Maton’s superior craftsmanship. Built to Tommy’s specifications the TE series provides the huge tone and performance you would expect from a guitar bearing his name.

Tommy looks for a guitar with superb tone, capable of the most delicate expression as well as the most ferocious attack. The neck must stay true regardless of the rigors of international travel and the guitar needs to perform at its peak, from Rome, to Nashville, to Sydney!

The Tommy Emmanuel models feature a Mother of Pearl block inlay on the 12th Fret, engraved with "C.G.P." The acronym stands for "Certified Guitar Player," a title bestowed on Tommy by Chet Atkins and held by only 3 other guitarists in the world - John Knowles, Jerry Reed and Steve Warriner.

Tommy has done Australia proud and he continues to use Maton as his guitar of choice.

Originally used as a Mahogany "substitute", Queensland Maple has become the backbone of the Maton sound. It is used in nearly every Maton either as a neck, back & sides, or internal component. A rainforest hardwood from Northern Queensland, this timber is light, strong, and visually striking. Queensland Maple is extremely well balanced with an even response across all frequencies. If you are looking for the secret to Maton's great tone, this is a good place to start.

The AP5 Pro now features Separate Microphone and Piezo input controls allow for blending of both microphone and piezo levels prior to sending the actively combined signals through to the tone circuits and master volume. Highly selective cardioid microphone system allows for much greater microphone level before feedback in live environments. This newly upgraded microphone is direct mounted to the preamp casing via an adjustable arm, which permits easy final tweaking of microphone position to suit the individual artists style.

What we know...

The TE model is the most popular Maton model in our store for a reason. While the guitar is comfortable and loud for its small size, we know the AP5 Pro combination makes this guitar superb for any live performance.

Why it matters...

Because we know it works. This guitar has stood the test of time on the road in Tommy's hands. It might go down in history as the most iconic Maton model ever produced.

What to expect!

The ideal performing machine - on, and off the road. With the added cutaway the play ability of this guitar is off the charts.

Specifications:

  • Serial: 20830
  • Top Wood: "AAA" Select" Grade Solid Sitka Spruce
  • Back Wood: Solid Queensland Maple
  • Nut Width: 1 47/64"
  • Scale: 25.5"
  • Bracing: Maton X Braced
  • Inlays: Mother of Pearl Dot Fingerboard Inlays
  • Rosette: Herringbone
  • Neck Wood: Queensland Maple
  • Fretboard: Ebony
  • Nut Material: Bone
  • Saddle Material: Bone
  • Bridge: Ebony
  • Bridge Pins: White w/ Black Dots
  • Tuners: Chrome Grover Rotomatic
  • Purfling: White/Black/White/Black
  • Body Binding: Ivory
  • Pickguard: Tortoise with Gold "M"
  • Headstock Shape: Solid
  • Headstock Inlay: MOP Kangaroo inlay
  • Frets To Body: 14
  • Body Depth: 4 59/64"
  • Lower Bout Width: 14 13/32"
  • Upper Bout Width: 11 7/32"
  • Total Length: 39 23/32"
  • Pickup(s): AP5-Pro
  • Case: Hardshell Case Included
  • Misc. 1: Hardshell Case Included
  • Misc. 2: Satin Finish
  • Misc. 3: Cutaway
Shipping Notes
  • Free Standard Shipping on $100+ Orders to the USA.
  • Except Preorder products are shipped in 48 hours.
  • Delivery to the USA:
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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 64150358850

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4.8 ★★★★★
Based on 25 reviews
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Product Reviews
S
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S. tamburin
Omaha, US
★★★★★ 4
Good For History Lovers
I doubt anyone who does not want to read a true historical book with a lot of facts but not as exciting as a non-fiction novel will enjoy this. I liked it because I learned a lot of things about New York that I was really surprised to read. Seems my beloved New York had a pretty bloody, violent history towards slaves and Catholics and some others the leaders and people did not like. I didn't realize the punishments of the day were just as bad, if not worse, than those of the Salem Witch hunt days. Beware, some of the content may turn your stomach.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 17, 2014
R
Verified Purchase
Rocco Dormarunno
Whiting, US
★★★★★ 5
Search for Scapegoats
Format: Hardcover
Jill Lepore's "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth-Century Manhattan" is a valuable and admirable examination of one of the darkest episodes in New York's history: the so-called slave rebellion of 1741 and the brutal vengeance that was extracted. Professor Lepore's painstaking research confronts the reader with a terrible conclusion: even the most respectable of people in society will consent to the deaths of human beings, based on even the tiniest shreds of evidence. Focusing primarily on the actions of Daniel Horsmanden, the City's Recorder, Lepore provides the reader with a background on the attitudes of New York's whites toward their slaves. She makes clear that Gotham was neither the first nor only city to have witnessed slave uprisings. (It had suffered a similar uprising a couple of decades earlier.) But the events of 1741 were unique for several reasons: --the shifting finger-pointing at various groups; --the inconsistency of Mary Burton's testimony, which essentially was the case against several slaves;and --Horsmanden's bizarre behavior toward Mary Burton. Admittedly, I've only superficially studied this dark time in New York's history, so I was shocked to learn that there were actually several "conspiracies": the Negro Plot, Hughson's Plot, the Spanish Plot, the Roman Plot, etc. Each plot was hatched depending on who confessed to what. Worst of all, the white population of New York--fueled by racism, xenophobia, paranoia, and, not the least of all, bloodlust--went right along with it. And, with the exception of an intriguing anonymous letter from Massachussetts, it seems the rest of the colonies went along with it, too. While Horsmanden is just short of villified in this book, he is not alone in his culpability. Professor Lapore's "New York Burning" will disturb many readers. The accounts of the slaves and the few whites burning, hanging, begging, and praying are graphic and heartbreaking. Still, this in an incredibly important book for anyone interested in the history of our nation and/or the all-too-tragic fragility of race relations in America. For this, Professor Lapore deserves our appreciation
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Reviewed in the United States on June 8, 2006
R
Verified Purchase
Reckless Reader
Lake Worth, US
★★★★★ 5
Spectacular Albeit Unknown History of Race Relations
Format: Hardcover
This is a great piece of historiography about something few know about at all --- slavery in New York City in the 18th century. How about a slave "rebellion" in New York City, how about more people burned at the stake than in the Salem witchcraft trials, how about dark byways and highways of old New York, barely transformed from its days as New Amsterdam, dark plots in dank places, shrill frightened tyrants overreacting with bloody retribution, burned ruins of an early African American village in Central Park? One cannot make up this stuff, it is too real so it must be history at its best. And written by one of our premier authors of history, a woman who makes our history live in The New Yorker to the acclaim of many, and yet whose best book, this one, is still too little known. If you appreciate Harry Truman's remark that the only new thing under the Sun is the history you haven't read, then this is one to curl up with and marvel at; a great way to spend a rainy day or a dark night.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 22, 2010
M
Verified Purchase
Michael Pointer
Draper, US
★★★★★ 4
Good, but not great.
Format: Paperback
Kudos to Lepore for delving into an important, little known subject, which she does better than most historians. At times, however, I think she felt the need to put every little piece of information she got into the book. It was way too long. Some good research, but she has done better. Still, worth checking out. I like to think I know American history, but I know nothing about this awful chapter.
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Reviewed in the United States on April 1, 2019
J
Verified Purchase
John Warren
Grantham, US
★★★★★ 5
DAMN, this is a great book!
Format: Hardcover
All history books should be this detailed, this readable, this humane. Lepore knows how to write about a horrible, nearly forgotten episode in NYC history. Unlike many historians, she steps away from overt politics or raw emotion. She knows that this subject is too serious to be shouted. It is the rare history book that is packed with facts as well as knowledge. I felt like Lepore was taking my hand and leading me through the smelly streets of lower Manhattan in 1741, like I could almost see the faces of...what were they, anyway? The victims of a horrible hoax? The demented planners of a plot to burn the city? Or something in between, where thieves can also be the keepers of ancient rites from a distant homeland, where the world is turned upside down? I could go on and on, but just buy the book!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 20, 2008

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