SKU: 67351449398

Elkay Lustertone Classic 17" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 2 Faucet Holes, LRADQ1720502

Sale price$288.00 Regular price$320.00
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Description

Elkay Lustertone Classic 17" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 2 Faucet Holes, LRADQ1720502Elkay Lustertone Classic 17" Drop In Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 2 Faucet Holes, LRADQ1720502 An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this

Elkay Lustertone Classic 17" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 2 Faucet Holes, LRADQ1720502

An Elkay Lustertone Classic stainless steel sink looks as great on day 3,000 as it does on day one. The rich, uniform grain is scratch resistant for heavy-duty use, whether it's a kitchen sink or a prep, bar, laundry or commercial sink. Light scratches, which occur with everyday use, naturally blend into the finish of this durable sink with time. Deeper scratches are repairable with an Elkay stainless steel restoration kit. Available in ADA depths.

Available In:


Please see our color disclaimer.

Features


  • ADA COMPLIANT: Product is ADA compliant when properly installed
  • REPAIRABLE FINISH: Finish is scratch resistant to heavy-duty use. Deep scratches are repairable. Lustrous grain reflects light evenly for high shine
  • DROP-IN INSTALLATION: Sink is designed for drop-in installation to make the sink a focal point of your room
  • SINGLE BOWL: Bowl gives you uninterrupted space for washing and stacking dishes or other household tasks
  • 18-GAUGE STAINLESS STEEL: Highest quality 18-gauge thickness and Type 304 stainless steel for lasting durability, performance and lustrous beauty
  • Sound Guard TECHNOLOGY: Large pads enhance sound-deadening performance for a quieter time at the sink
  • QUICK-CLIP MOUNTING SYSTEM: Quickly and securely install sink from above the counter with a series of clips that attach to laminate countertops.
  • OFFSET DRAIN: Drain placement provides more usable space on the bottom of the sink and in the cabinet below
  • MADE IN THE USA: This Elkay product is proudly made in the USA
  • DRAIN OPENING: Sink drain opening measures 3-1/2"
  • BASE CABINET: Recommended Minimum Base Cabinet Size: 21"
  • California residents see Prop 65 Warnings.

Details


ADA Compliant?: Yes
Bowl Shape(s): Rectangular
Bowl Split: Single
Box Height: 23.19"
Box Length: 23.31"
Box Weight: 12 lb(s)
Box Width: 8.94"
Code / Standard Compliance: NPCC
Collection: Lustertone Classic
Color: Lustrous Satin
Country of Origin: USA
Cutout Dimension: 16-3/8" x 19-3/8" (416mm x 492mm) with 1-1/2" (38mm) corner radius
Drain Size: 3.5
Finish: Lustrous Satin
Freight Class (LTL Only): 250
Gallons to Overflow: 3.8
Gauge: 18
Harmonized System Code: 7324100010
Inner Depth: 5"
Inside Bowl Dimensions: 14" x 14" x 5"
Installation Type: Drop In/Topmount
Item Height: 5"
Item Length (Front to Back): 20"
Item Weight: 8 lb(s)
Item Width (Side to Side): 17"
Made In USA?: Yes
Material: Stainless Steel
Minimum Cabinet Size: 21"
Mounting Hardware Included: Included for 3/4" (19mm) countertop (12 qty)
Number of Bowls: 1
Number of Faucet Holes: 2
SKU: LRADQ1720502
Shape: Rectangular
Sound Deadening: Bottom only pads
Style: Traditional
cUPC Certified?: Yes

Warranty


Elkay Warranty Details (PDF)

Installation Instructions


Installation Instructions 1 (PDF)
Product Specifications (PDF)

Product Care


Elkay Product Care (PDF)

Video(s)


Product Video 1
Product Video 2
Product Video 3

Related Products


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- Elkay Lustertone Classic 17" Stainless Steel Kitchen Sink, 18 Gauge, Lustrous Satin, LR17202
- Elkay Lustertone Classic 17" Drop In/Topmount Stainless Steel ADA Kitchen Sink, Lustrous Satin, 2 Faucet Holes, Perfect Drain, LRAD172265PD2
keywords, QUICK CLIP, rear drain, offset drain, off set drain
Shipping Notes
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Exchange/Return Notes
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SKU: 67351449398

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4.6 ★★★★★
Based on 29 reviews
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Product Reviews
M
Max
Lexington, US
★★★★★ 5
Anne Carson is a Genius
Format: Hardcover
There is no one writing right now -- in essays, novels, poems or short stories -- who is as consistently brilliant as Anne Carson. Her last book, AUTOBIOGRAPHY OF RED contained some of the finest, most exquisite writing I've ever read; and this next collection is a masterpiece. There is a long essay in the book titled IRONY IS NOT ENOUGH: My Life As Catherine Deneuve that is at once moving, sexy and intelligent. There are also a sequence of poems about Hoppers paintings, paired with St. Augustine's Confessions that show perfectly how Carson dances on the fault lines of the modern and the ancient. This woman will win a Nobel Prize.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 10, 2000
M
M. J. Smith
Charlottesville, US
★★★★★ 3
Interesting juxtapositions - some successes, some failures
Format: Paperback
As is to be expected from Anne Carson, the breadth of her knowledge results in thought-provoking writing even when it fails as "poetry". An example Hopper:Confessions begins with a quotation from Edward Hopper, followed with 9 separately title poems accompanied by quotations from Augustine's Confessions, and ending with a piece by Hopper. Her essay on female pollution in antiquity is excellent scholarship made enjoyable reading for the "common reading". Several pieces, or portions of pieces, consider Lazarus raising interesting issues from the perspective of Lazarus ... what is his reaction at being called forth (rotting?) from the grave? While many of the pieces, especially the very short pieces, are not impressive, the book is worth your time - for the reflections it provokes in the reader.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 28, 2001
I
I X Key
Belleville, US
★★★★★ 1
very droll
Format: Paperback
I understand the attraction to Anne Carson. I like experimental poetry, too. I like scholarship. But this book is pointless. The poems are so terrible that by the time I got to the essay at the end about hot & cold symbolism for the writers of antiquity I was so upset with the book that I just couldn't care about anything in it. These poems don't sound good. If nothing else, there should at least be the sound. & in any other respects, the experiments are to no end in themselves. I recommend forgetting this book & going for such progressive, ambitious younger poets as Karen Volkman & Brenda Shaughnessy.
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Reviewed in the United States on May 1, 2003
H
"hirofantv"
Waukegan, US
★★★★★ 2
seems like an unspecified struggle with herself
Format: Hardcover
I don't know. It'ts a struggle for her to come up with the next line. Doesn't feel especially creative, inspired, or notably intelligent. I read other disappointed reviews people had written about this book, & bought it anyway. I tend to have avant-garde sensibilities, so I thought I'd enjoy it for its avant-garde qualities. I really tried to appreiate the experimentality of it, but I couldn't, because I realised I was readin it more for the sake of reading, & because I enjoy reading,than because this book is any good. I know a lot of unskilled teenagers who write dada-influenced poetry that's much more interesting than this uninspired book; I don't see what makes Anne Carson so special. 1 star because it's not a good book. 1 more star, bringing the total to 2, because I feel bad just giving it 1 star. At least she wrote something...
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Reviewed in the United States on June 30, 2001
P
Pete Dempsey
West Palm Beach, US
★★★★★ 1
A Slip-Up
Format: Paperback
I don't know what happened here but Carson's last two books have really gone down hill. Men in the Off Hours, her first book since Autobiography of Red, is a mess. I don't know how else to describe it. It's not that I'd expect an easy read after her last book--just a consistent one. There are poems in here that first appeared in prose elsewhere and now are in lines! This suggests a lack of understanding of the line and its history and uses on the part of the writer, which shocks me since Plainwater and Autobiography of Red I truly liked. I would not suggest this book if you like Anne Carson. It will disappoint you!
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Reviewed in the United States on June 5, 2001

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