SKU: 70784490713

PRS SE NF3 Electric Guitar, Rosewood Fretboard, Pearl White

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Description

PRS SE NF3 Electric Guitar, Rosewood Fretboard, Pearl WhitePerfect for any player seeking their next tonal undertaking, the PRS SE NF3 provides clear direction for a new musical avenue. With distinct PRS style and appointments aplenty, its a unique PRS experience all its own. Starting at square one, the PRS SE NF3 keeps things easy and ergonomic with a double cutaway poplar body. PRSs Flat Top carve bevels the body excellently for a streamlined feel in hand. Meeting up with a bolt on maple neck in a PRS Wide

Perfect for any player seeking their next tonal undertaking, the PRS SE NF3 provides clear direction for a new musical avenue. With distinct PRS style and appointments aplenty, it’s a unique PRS experience all its own.

Starting at square one, the PRS SE NF3 keeps things easy and ergonomic with a double-cutaway poplar body. PRS’s Flat Top carve bevels the body excellently for a streamlined feel in hand. Meeting up with a bolt-on maple neck in a PRS Wide Thin profile, the basic profile of this guitar, body and neck in hand, is a dream for easy transport and quick playing. A rosewood fingerboard lands on this model with twenty-two frets. Featuring iconic PRS Birds fret inlays, this rosewood is a classic choice for PRS guitars and is sure to inspire extended playing sessions across the 25-inch scale.

Tonally, the SE NF3 features something new to the SE series of guitars. Three Narrowfield DD (Deep Dish) “S” pickups are loaded into the NF3 to summon a wide swathe of intriguing tones. These pickups, outfitted with taller bobbins to allow for extra magnet winds, produce a more focused, powerful tone for anyone to simply fall in love with. With a five-way selector switch, these pickups invite tonal exploration previously unseen in the PRS SE series family of guitars.

Along with PRS’s breakthroughs in tone crafting, additional PRS hardware appointments land on the SE NF3 for that reliable PRS playing experience. A classic PRS patented tremolo bridge appears on this model to pair stability with expressive vibrato bends. In addition, PRS-designed tuners make an appearance on the iconic PRS headstock to fully solidify the intonation and tuning experiences. Across the entire scale of this guitar, one is sure to find rock-solid tonality and tuning accuracy thanks to this pair of PRS-designed appointments.

The PRS SE NF3 drops in for players seeking a new avenue for tonal exploration in the SE series. Accessible, playable and reliable, it's yet another PRS hitmaker.

  • Poplar double-cutaway solidbody design
  • Scarfed maple bolt-on neck in PRS Wide Thin profile
  • Rosewood fingerboard with twenty-two frets and PRS Birds inlays
  • Three PRS Narrowfield DD (Deep Dish) "S" humbucking pickups
  • PRS patented tremolo bridge
  • PRS-designed tuners
  • PRS gig bag included
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SKU: 70784490713

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4.4 ★★★★★
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Product Reviews
G
Verified Purchase
G. Fisher
Massapequa, US
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information. I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 11, 2025
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Artie Anzaldua
Port Orchard, US
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 19, 2026
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Here
Grantham, US
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides. I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people! To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome. Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
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Joel K. Williams
Boise, US
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try. This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem? My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another. Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft. He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author. Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010
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An American
Birmingham, US
★★★★★ 5
Good Guide to Writing in General
Format: Paperback
What Gardener says about fiction can equally apply to writing any good prose. He was a master teacher and this book definitely shows his skills in conveying the underlying knowledge to others.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on December 30, 2024

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