SKU: 70928649284

1960s VISTOSI FROSTED OLIVE GREEN AND WHITE CASED-GLASS BOX (MURANO)

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Description

1960s VISTOSI FROSTED OLIVE GREEN AND WHITE CASED-GLASS BOX (MURANO)This rare frosted cased glass cigarette box created by Vistosi in Murano, Italy during the 1960s, may find a more contemporary use as a tea caddy or trinket box. Cylindrical in shape, this olive green colored jar is composed of a glossy white opaline interior cased inside a frosted green outer layer. The white glass is left bare on the top and polished to a high sheen creating great contrast with the dark frosted body. There is a tiny flea bite on the

This rare frosted cased glass cigarette box created by Vistosi in Murano, Italy during the 1960s, may find a more contemporary use as a tea caddy or trinket box.  Cylindrical in shape, this olive green colored jar is composed of a glossy white opaline interior cased inside a frosted green outer layer.  The white glass is left bare on the top and polished to a high sheen creating great contrast with the dark frosted body.  There is a tiny flea bite on the outer rim of the jar (see photo). The "Made in Murano" label is still attached to the base.

VISTOSI can be traced to the 16th century, Murano-based glassmaking family of Vincenzo Gazzabin. Though the Gazzabin family was productive for centuries, the decline of the Venetian Republic in the 19th century interrupted the glass-blowing industry in the region. In 1945, Guglielmo Vistosi, an heir of Gazzabin, re-established the family glassworks under the Vistosi name. Guglielmo passed away in 1952, and was succeeded by his brother, Oreste, and two sons, Gino and Luciano.

Born in Venice, Luciano Vistosi (1931-2010) grew up in Murano with the aspiration to create products using the latest techniques and aesthetics. He began designing his own glass collections—some of which are still in production today—under the pseudonym Michael Red. In 1968, he had his first exhibition at the Alfieri Gallery in Venice. At the end of the 1960s, he concentrated on blown-glass sculptures. Iconic works by Luciano include the lighting fixtures Neverrino (1960s), Bissa (1968), Bissona (1968), and Onfale (1978).

From the 1960s onward, Vistosi collaborated with some of the most celebrated names in design, such as Gae Aulenti (1927-2012), Liisi Meronen Beckmann (1924-2004), Adalberto Dal Lago (b. 1937), Michele De Lucchi (b. 1951),Vico Magistretti (1920-2006), Alberto Meda (b. 1945), Eleonore Peduzzi Riva (b. 1937), Ettore Sottsass (1917-2007), and Marco Zanuso (1916-2001). Although most of the pieces from these collaborations are well documented, Vistosi’s many eccentric one-offs and small editions can be challenging to definitively attribute, date, and authenticate.

The pieces produced during the 1960s and ‘70s—most of which are white or translucent—anticipated both minimalism and the excess of the 1980s. Their emphasis on form is expressed through characteristically curvaceous shapes and elongated forms. Notable works from this time include Alessandro Pianon’s Pulcino glass birds collection (1961), Fulvio Bianconi’s Ih che bei or “Oh how pretty” series (c. 1963), and Eleanore Peduzzi Riva's large S621 Dish (1971), which can be found in MoMA's permanent collection.

In 1967, Vistosi debued the now-iconic, Murano glass-link Giogali Lighting designed by Italian architect, sculptor, and designer Angelo Mangiarotti (1921-2012). These revolutionary, highly successful chandeliers and lamps feature interconnected glass loops in an array of configurations. From the 1970s and ’80s, Vistosi also found success with Magistretti’s Alega Lamp (1970), De Lucchi’s Vega Table Lamp (1982), and several designs by Albert Leclerc and Ettore Sottsass.

Luciano directed the company until 1984. There are conflicting stories as to who gained ownership of the company afterward. Some accounts state that Vistosi was acquired by lighting specialist Aurelian Toso; while other sources report that Maurizio Albarelli took helm in 1985. According to Vistosi’s own website, however, the company was acquired by the Italian businessman Giancarlo Moretti in 1989. In the early ‘90s the factory closed, but was reopened a few years later with the help of Giancarlo's son, Matteo Moretti, who relaunched the Vistosi brand after a deep reorganization of the production and commercial sectors. At the end of the 20th century, Vistosi acquired the brands Alox, Triade, and G2 in order to focus on a more international market. Today the company continues to collaborate with important designers to produce high-quality lighting fixtures.

Manufacturer Vistosi
Design Period 1960 to 1969
Year of Production
Production Period 1960 to 1969
Country of Manufacture Italy
Identifying Marks This piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources
Style Vintage, Mid-Century, Italian Modern, Hand-Crafted, Minimalist, Modernist
Detailed Condition Good — This vintage item remains fully functional, but it shows sign of age through scuffs, dings, faded finishes, minimal upholstery defects, or visible repairs.
Restoration and Damage Details Light wear consistent with age and use, One small flea bite on the outer rim of the jar
Product Code CRM-733032
Materials Frosted Glass, Glass, Murano Glass, Opaline Glass, Colored Glass, Hand-Blown Glass, Mouth-Blown Glass
Color Olive, white
Width 11 inch 4.0 inch
Depth 11 inch 4.0 inch
Height 12 inch 4.5 inch
Diameter 1.6 inch
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SKU: 70928649284

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Bleau P
Los Angeles, US
★★★★★ 5
Bleau
Color: Beige, Size: Large
Very Good , fits very well
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2026
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Bosoca
Battle Creek, US
★★★★★ 1
Trashed after one wash
Color: Beige, Size: Small
It’s a great looking shirt. The price is good. The fit is good. But it’s so scratchy that it’s like wearing a potato sack. And after washing it ONCE it pilled so bad that I had to throw it away because it looked like an electrical sander had been used on it. But this is what Amazon has become: bad quality everything.
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Reviewed in the United States on December 4, 2025
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Amazon Customer
Carnegie, US
★★★★★ 5
Quality
Size: Large, Color: Flecking Black
Very good fit and nice material. Light and cool.
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Reviewed in the United States on June 2, 2026
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Snarky Democrat
Louisville, US
★★★★★ 5
Coofandy has cool shirts!
Size: Large, Color: Army Green
Love this brand. Everything fits! Husband loves the sort of linen shirts. I buy a lot of clothes there too. Go for it. The price is right and if you don't like it, return it, but I think you'll love it!
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Reviewed in the United States on April 29, 2026
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SirTW
Chelsea, US
★★★★★ 4
Not as advertised, but I like it! This run runs small and not the blend stated.
Size: 4X-Large, Color: Sky Blue
I rely on your reviews a lot, so I am paying it forward here. I needed a summery, lightweight linen type shirt with long sleeves because I'm an old, fat guy and I'm getting those ugly, purple bruises on my arms (if you're under 65, just wait ;). I just got my shirt today. I read the reviews and everybody said the quality, sizing and the material were all over the board and mine is no different. The label on mine says 60% cotton, 30% viscose and 10% linen. That's a far cry from the 70% Rayon and 30% Linen as stated. However, this material is very light and smooth and has a lot of stretch. The label can't be correct for the material to have this much stretch, but I like it. It doesn't look anything like the picture either. It has a sort of linen like look, but more of a chambray weave look I would say. And it smells oddly nice, too. I'm sure whatever the smell is will go away after washing, but for now, it's a nice, pleasant, new shirt smell. Must be the Viscose or whatever is in this shirt. It definitely has at least 2% Lycra to be able to stretch like this. Also, the sizing is way off. For reference, I am 5'6" and 270 with a 52" waist (I told you, old, short and fat :). Many of the reviewers said it ran small, so I ordered up to a 4x and it fits just about perfectly for me. I normally wear a 3x and in some shirts that's too big. This is loose enough but not blousey and most importantly, covers my big belly nicely. The stretch in the fabric is a bonus. So I guessed right with the 4x. However, read the reviews and you will see that the sizing appears to be all over the board. Finally, the pocket is oddly small. It is fine for my purposes and I absolutely need a pocket to put my sunglasses in and other various little things, but at least in my version, beware that the pocket is oddly small. I think I got lucky with my order and got what I wanted by default. I will have to be careful washing it, or it might shrink too much (there's no telling what this fabric really is). It is also fairly wrinkled out of the package, but being the cotton/viscose blend that it says it is, it should iron out nicely and not wrinkle with wearing. We shall see. I'm impressed with the silky feeling and light weight of this shirt and although it doesn't really look like a linen shirt, it looks casual enough for me to fit the bill. I will be wearing it with the sleeves rolled up anyway, as I just needed something that looks casually sharp and can cover the ugly bruises on my forearms. As you can tell if you read through the reviews, what you might get seems to be somewhat of a crap shoot, but I like mine, so good luck!
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Reviewed in the United States on May 22, 2024

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