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Description
Rapier 22 Electric Guitar ~ Arctic WhiteThe stunning new generation Rapier 22 is a product design from Alan Entwistle, the UK genius guitar designer responsible for a host of successful guitar lines and accessories. The original double pickup 22, hails from the Rapier Series of electric guitars that played a major role in the industry of British guitars. This legendary guitar served countless up and coming 60s British Beat groups and helped launch the careers of many guitarists in the 60's
The stunning new generation Rapier 22 is a product design from Alan Entwistle, the UK genius guitar designer responsible for a host of successful guitar lines and accessories.The original double pickup 22, hails from the Rapier Series of electric guitars that played a major role in the industry of British guitars. This legendary guitar served countless up and coming 60’s British Beat groups and helped launch the careers of many guitarists in the 60's and 70's.
Whilst Entwistle has successfully retained all the glorious charms and visual characteristics of the original ‘legendary’ Rapier 22, significant and meticulous attention has been made within hardware upgrades, construction and playability for this fabulous new model.
Selected specifically for its natural sonic characteristics, Okoume, from Central Africa, is the chosen tonewood for the body, whilst for speed, comfort and accuracy, the 4-bolt, soft ‘C’ profiled neck with fully adjustable truss rod, is now crafted from hard rock Canadian maple, with a 12in radius rosewood fingerboard, fitted with 23 medium jumbo frets (including zero fret).
For accurate intonation, tuning stability and perfect return to pitch from the original vibrato design, the exciting new Rapier 22 now features a smooth, friction-free, precision cut 43mm nut, Wilkinson machine heads and high spec’d roller bridge.
Available in an immaculate Fiesta Red, 3 Tone Sunburst, Daphne Blue and Arctic White, offset with a 3-ply scratchplate, and new Rapier headstock logo, the Rapier 22, is stylish in every sense of the word.
Stunning looks aside, modern upgrades also include pickups, internal wiring and controls which have all experienced Entwistle’s magical touch.
A pair of Entwistle low noise EWR64 mini-double coil pickups, with exceptional tonal response, balanced output and clarity are now installed and, with the 3-position pickup selector switch wired for bridge - bridge+neck - neck positions, both pickups feature individual mini Bass-Cut switches which, along with separate volume controls and a global tone control, offer a host of versatile sounds including that classic and much-loved 60’s jangle.
“Both Volume and Tone controls are wired with 500k pots, linear and log respectively,” says Alan “And, with jazz and blues players in mind, the Tone control includes a 0.015 mfd cap which retains clarity when wound back, whilst also delivering that classic, rich response when played with overdrive or distortion.”
Now with upgraded hardware, exceptional playability and performance, the new generation Rapier 22, will not only evoke nostalgic memories for old-school players and collectors, it’s also the professional choice for Britain’s new young talent.
Rapier 22 Features
Body: Original double-cutaway solid body featuring Okoume, a central African tonewood chosen specifically for its warmth, depth and high-end clarity.
Vibrato: Original Rapier Hi Lo design smooth action vibrato system, with chrome finish.
Pickups: Alan Entwistle low-noise EWR64 mini-double coil pickups at the neck and bridge, delivering exceptional tonal response, balance output and clarity.
Controls: Two Volume Controls and a Tone control. 3-way pickup selector switch. 2 individual mini Bass-Cut slide switches for bridge and neck pickups.
Machine heads: 6-inline Wilkinson WJN-05 machine heads provide simple, effective action for maximum tuning stability.
Neck: 4 bolt hard rock Canadian maple with soft ‘C’ profile for instant comfort, speed, accuracy and great feel. Fully adjustable truss rod.
Fingerboard: 12" radius rosewood.
Scale Length: 25.5" / 648 mm.
Frets: 23 - including zero fret. Medium profile for added comfort, accuracy and an overall positive feel.
Top Nut: Precision cut, friction-free 43mm nut.
Headstock: Classic design with new generation Rapier logo.
The Rapier™ 22 is a collaboration between Alan Entwhistle and JHS.
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4.4 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 4
Good!
Format: Paperback
Thank you to NetGalley for the e-ARC!
I love Mazey’s writing and character-building! The setting of a flower farm was splendid. The sapphic romance was lovely. You go to see inside both of the character’s heads and understand their viewpoint and reasoning.
My girl Lizzie and her cake-making were mentioned!!
I think it would be lovely if Opal’s sisters were able to have their happily ever afters told in the future.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2024
★★★★★ 5
Neurospicy and queer spicy
Format: Paperback
I absolutely love this book. If you're looking for lesbian, spicy love but realistic with healthy relationship principles, and relatable neurodivergent characters, you'll love it too.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 14, 2026
★★★★★ 4
Cute + Cozy Read
Format: Paperback
This was a super cute + cozy. quick read! The characters were sweet + relatable. It made me happy as I read it. If you're looking for a light book to read that still gives you the feels, I highly recommend.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 22, 2024
★★★★★ 3
Didn't Win the Lottery This Time...
Format: Kindle
When most people think of winning the lottery, they think their life is going in a positive direction. They think their life has changed for the better. But for Opal, she feels like her life has been ruined. Immediately, Opal is bombarded with people holding their hand out asking for money and favors, and Opal does not say no. Her relationships with her "friends" has changed to the point she's ready to run. Her job leaves her miserable daily so she quits. Next thing Opal knows, she's buying a flower farm that she finds online and moving states to live in peace to start her dream painting business. When she arrives at the farm, Opal's fresh start is interrupted by a woman claiming that the farm is hers, not Opal's.
This book has a wild setup that I was all in for. I suspended my belief and dived in, ready for Mazey Eddings' typical humor and sweet moments with the characters, Being my fourth book read by Eddings, I was ready to fall in love with yet another set of characters and continue my theory that Eddings is writing all her books in the same world (more on that later!) Unfortunately, this is currently my least favorite of Eddings' books, bumping her YA novel up in the ranking. Despite the writing feeling familiar, the usual shenanigans, complex characters with representation (ADHD, autism, abandonment/neglect issues, grief), and spice that I expect from Eddings being included, I did not feel the same connection and emotional investment in the characters or the story. I was not itching to read this in one sitting or tabbing every line. Instead, I was cringing, even rolling my eyes at some points, and ready to move onto another book. I was left feeling underwhelming and wondering what was missing.
Remember when I said I had a theory that some authors write their series set in the same world but don't always announce them to be companion or spin-off series? Well, Mazey Eddings is a fan of Taylor Swift and many Swift fans know, she's one for Easter eggs and hints. So, it would not surprise me if Mazey did the same. Sure enough, there is some dialogue between the characters about a certain bakery (Lizzie Blake's Best Mistake) that confirmed my theories and I squealed, immediately highlighting the section. Now if I could get all her characters in the same room...
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Reviewed in the United States on August 16, 2025
★★★★★ 5
quality
Format: Hardcover
This is a fun collection of stories. as with anything Mignola, of course I'd love that the publisher packed a few more into the mix, but for what is there, it's an entertaining read. The art is typical Mignola. I love his style, but I can't lie that SOMETIMES my eyes get lost trying to make out the context of the image. Not a criticism, but a personal shortcoming. Regardless, it's a beautifully rendered book with some brief stories.
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Reviewed in the United States on December 12, 2025
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