SKU: 729086261

[PSEUDO-AUGUSTINUS.] Sermones Sancti Augustini ad heremitas.

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[PSEUDO-AUGUSTINUS.] Sermones Sancti Augustini ad heremitas.Rare Incunable Edition of a Notorious Monastic Forgery [PSEUDO AUGUSTINUS.] Sermones Sancti Augustini ad heremitas. [(Colophon:) Venice: Simon Bevilacqua. 4 November 1495.] Small 8vo. Recased in the original sixteenth century vellum, spine lettered Sermon[es] in ink, ties wanting; ff. [112]; a o8; gothic letter, text in two columns, woodcut initial to f. a3r; a few marks to covers, spine restored at head, endpapers renewed; small wormhole to inner

Rare Incunable Edition of a Notorious Monastic Forgery

[PSEUDO-AUGUSTINUS.] Sermones Sancti Augustini ad heremitas. [(Colophon:) Venice: Simon Bevilacqua. 4 November 1495.]

Small 8vo. Recased in the original sixteenth-century vellum, spine lettered ‘Sermon[es]’ in ink, ties wanting; ff. [112]; a-o8; gothic letter, text in two columns, woodcut initial to f. a3r; a few marks to covers, spine restored at head, endpapers renewed; small wormhole to inner margin of ff. [a1]–f4 (slightly touching a few letters), light dampstaining to lower outer corner, quires c, f, and o somewhat browned; overall a very good copy; early annotations to e5 and sidelining to 5 ff., old library stamps ‘Bibl. SS Apostolorum Neapolis’ to first and last leaves (see below); twentieth-century notes pencilled to flyleaves.

Rare Bevilacqua edition of the pseudo-Augustinian Sermones, a bestselling collection of sermons falsely attributed to Augustine of Hippo, supporting the Augustinian Hermits’ priority in their controversy with the Augustinian Canons over the Order of Saint Augustine.

The Sermones ad heremitas, also known as Sermones ad fratres in eremo, were first published in Modena in 1477 by Balthasar de Struciis. The collection was forged in the context of a medieval debate over which branch of the Augustinian Order held greater precedence – the Augustinian Hermits or the Augustinian Canons. The sermons’ purpose was to support the historically questionable claim that Augustine himself had established the Hermits in Hippo before the Canons.

The work was reprinted at least twelve times during the fifteenth century, including the 1494 edition by Johann Amerbach and this Venetian edition by Simon Bevilacqua (fl. 1485–1518). The sermons’ authenticity, however, was eventually rejected by the Maurists (a congregation of Benedictine monks) in the seventeenth century. Once attributed to the twelfth-century preacher Geoffroy Babion, it is now widely accepted that the Sermones were composed by different authors at different times, between the twelfth and fourteenth centuries. The importance of the Sermones lies in the fact that, although spurious, they were widely accepted as genuine. Consequently, they were instrumental in contributing to the historical understanding of Augustine and revealing the late medieval experience of the saint, which was a foundational component of Augustinianism (see Saak, pp. 81–138).

The printer Simon Gabi (after 1450–1518), known as ‘Bevilacqua’, produced numerous editions across a wide range of subjects, many of which were of significant cultural value. His publications, however, frequently suffered from insufficient proofreading, leading to numerous errors caused by hurried and poorly revised typesetting. The nickname ‘Bevilacqua’ (literally ‘water-drinker’) was likely given to him ironically, suggesting that Simon was far from abstemious. This is evidenced by an invective from Bishop Pietro Bruto (d. 1493), printed at the end of one of his works as an apology for the many printing errors: ‘Est impressorum lector nova culpa malorum / turbida sunt quorum corda sepulta mero’ (‘Reader, the fault of printers is new among evils / their hearts are clouded, buried in wine’, DBI). Our copy bears sixteenth marginal annotations to ff. e5~sup~r~sup~–e5~sup~v~sup~, seemingly correcting such errors in the text.

Provenance: From the library of the Theatines at Santi Apostoli in Naples. The church and monastery of Santi Apostoli served as the headquarters for the Theatine order from 1574 until the order’s suppression in the early nineteenth century, when the library was likely dispersed.

ISTC shows six copies in the UK and thirteen copies in the US.

Goff A1319; HC 2005; IGI 1038; Proctor 5395; BSB-Ink A-925; GW 3007; ISTC ia01319000. See Saak, Creating Augustine: Interpreting Augustine and Augustinianism in the Later Middle Ages (2012); not in Freeman, Bibliotheca Fictiva.

SKU: 2115425

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Shelby
Fort Morgan, US
★★★★★ 2
Not very much dispenses with pumps
Color: Glint Rainbow
This gives out very small puffs of glitter when depressing the pump. The glitter is as expected, but it would be more efficient to just open the dispenser with how little this pumps out. I'll probably just use this for crafts instead of body and hair. It doesnt really stick either because it is a dry powder
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Reviewed in the United States on May 29, 2026
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Takelia
Dallas, US
★★★★★ 1
Not what I expected
Color: Glint Rainbow
Product doesn’t come out like a dust
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Reviewed in the United States on April 30, 2026
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Power Adapter
Alexandria, US
★★★★★ 4
Fine, dry glitter in a puff spray bottle
Color: Glint Rainbow
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Reviewed in the United States on April 23, 2026
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Tamiyah Thomas
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★★★★★ 5
Dry glitter, not glue
Color: Glint Rainbow
This is dry glitter, not glitter spray. Will need glue for it to stick but it’s very pretty.
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Reviewed in the United States on April 20, 2026
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Rylie
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★★★★★ 5
Fine holographic sparkle with smooth and even application
Color: Glint Rainbow
I tested this glitter powder several times over about two weeks while using it on my hair and along the cheek area for festival style makeup looks. The shimmer particles are very fine, which helps create a smooth reflective effect rather than chunky glitter. The applicator releases a light dusting of powder, which makes it easier to control how much product is applied. I found that building it gradually works best, starting with a light layer and adding more for a stronger sparkle effect. The holographic finish reflects different tones depending on the lighting, shifting slightly between soft rainbow colors under brighter light. It looks subtle indoors but becomes more noticeable and reflective in direct lighting or outdoor settings. During wear, the glitter stayed in place for several hours with minimal fallout when applied lightly. I noticed that applying it over slightly set makeup or hair helped it adhere better and reduced loose particles. With its fine texture, controllable application, and noticeable sparkle under different lighting, it delivers a versatile glitter effect for creative makeup looks. The quantity of the spray was nice and it was durable under the sun too.
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Reviewed in the United States on May 15, 2026

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