SKU: 86042788806

Luigi Grasso - The Greenwhich Session [2LP]

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Luigi Grasso - The Greenwhich Session [2LP]Over the course of twenty years, Grasso formed an indelible bond with the Big Apple arriving for the first time with music and determination coursing through his veins. It was in Greenwich Village, nestled in the heart of Manhattan between SoHo and Chelsea, that Grasso found his refuge and his muse. Exploring the nooks and crannies of the underground music scene, Grasso discovered exciting movements in Rock, Gospel, R&B, and Soul, but quickly found

Over the course of twenty years, Grasso formed an indelible bond with the Big Apple - arriving for the first time with music and determination coursing through his veins. It was in Greenwich Village, nestled in the heart of Manhattan between SoHo and Chelsea, that Grasso found his refuge and his muse.

Exploring the nooks and crannies of the underground music scene, Grasso discovered exciting movements in Rock, Gospel, R&B, and Soul, but quickly found that in this world, jazz reigns supreme.

This once bohemian district, where trees thrive at the foot of red brick buildings, gets it's name from the Greenwich Meridian - often regarded as the world's Prime Meridian - the point from which everything flows to and from the east and west. Here, the young saxophonist from southern Italy developed his daring style and taste. He soon began to fraternize with the best musicians the scene had to offer, putting together the all-star team with which he would record The Greenwich Session.

Full of original compositions recounting his travels and tales of bravery, The Greenwich Session showcases an impressive group of virtuosic musicians, including: Pasquale Grasso (gt), Ari Roland (cb), Keith Balla (dr), Fabien Mary (tp), Thomas Savy (Horn) Balthazar Natural (st, eng h) Thomas Gomes (as), Armand Dubois (French horn), Joan Mar Sauqué (tp) China Moses (v) and Paola Mazzoli (v). These original compositions, pieces of bravery, recount his travels where his sax released it's word. Hence this irresistible invitation to travel.

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SKU: 86042788806

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Denise Williams
Grantham, US
★★★★★ 5
Five Stars
Format: Paperback
Thanks!
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Reviewed in the United States on April 10, 2018
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luvgrdane
Alexandria, US
★★★★★ 4
Magic City poetry series
Format: Paperback
This book was recommended to me to add to my poetry collection. It is a book that you can pick up and read a few poems and then put down to try to think of the meaning. It is written very well. Just takes a bit of thinking to understand.
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Reviewed in the United States on February 25, 2013
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Lee Ann Roripaugh
Battle Creek, US
★★★★★ 5
Down Home Blues
Format: Paperback
Magic City remains, perhaps, my favorite volume out of Yusef Komunyakaa's distinguished body of work. With his characteristic blues and jazz-inflected lyricism, Komunyakaa revisits the harrowing violence and racism of the deep south as viewed through a piercingly translucent prism of personal memory. The poems making up this volume are in many respects a poetry of witness, and the eyes through which which this gritty psychic landscape is revealed to the reader penetrate various scenes of troubled family life, poverty, violence and racism with a razor-sharp clarity rife with anger, sorrow, and beauty. Ranging in age from childhood to young adulthood, the speakers, or witnesses, in these poems see through eyes that are simultaneously innocent and jaded, naive and urbane, unflinchingly tough and lyrically sensitive. These are unforgettable poems. Like good blues, they cut right down to the bone.
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Reviewed in the United States on April 21, 2002
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Silvia
Fort Morgan, US
★★★★★ 4
Four Stars
Format: Paperback
took a little longer than I expected but overall good quality for a used book .
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Reviewed in the United States on September 24, 2014
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R. H. White
Fort Morgan, US
★★★★★ 4
Unblinking portrait of a childhood in the Jim Crow South
Format: Paperback
Komunyakaa, who won the Pulitzer Prize for his Neon Vernacular, here writes about his childhood in a Louisiana town. The poems are poignant but unsentimental: the child's world has a certain kind of innocence but is saturated with violence, from the Klan to his father's abuse of his mother to the pragmatic violence of slaughtering a hog. One of the more exciting elements of this book is Komunyakaa's skill in combining realistic description with startling and even puzzlingly abstract language.
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Reviewed in the United States on February 26, 2000

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