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Description
Magdalena AbakanowiczA stunning exploration of Magdalena Abakanowiczs extraordinary and unique body of work Magdalena Abakanowicz (19302017) was a Polish sculptor and fiber artist, most notable for her use of textiles as a sculptural medium. In the 1960s and 1970s, she wove sisal in intense colors to create towering, hanging pieces that radically expanded the field of sculpture and installation art and catapulted the international fiber art movement. Known as Abakans,
A stunning exploration of Magdalena Abakanowicz’s extraordinary and unique body of workMagdalena Abakanowicz (1930–2017) was a Polish sculptor and fiber artist, most notable for her use of textiles as a sculptural medium. In the 1960s and 1970s, she wove sisal in intense colors to create towering, hanging pieces that radically expanded the field of sculpture and installation art and catapulted the international fiber art movement. Known as Abakans, these “organic environments” carried many meanings and were often large in size, containing entanglements of ropes or dividing spaces. They were spaces to contemplate, to immerse oneself in, to experience.
Lavishly illustrated with immersive photography and stunning details, this beautiful book explores the unique nature of these monumental works and their impact as environmental sculpture. Considering the relationships between the Abakans and their forestlike atmosphere, as well as other key works, it reveals the artist’s broad interest in natural phenomena and folk-art traditions from different cultural backgrounds, and the mastery and determination of a woman artist who, despite the restrictions of living in Poland under an oppressive Communist regime, established a career as an international artist.
Drawing on themes such as shamanism, female energy and power, pregnancy, and insights on human nature, art curators Anne Coxon and Mary Jane Jacob’s book highlights Abakanowicz’s pioneering contribution to installation art and the role of collaboration in her practice, while also contextualizing her work within the Polish art world and wider postwar Europe.
Includes Color Illustrations
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4.3 ★★★★★
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Product Reviews
★★★★★ 5
Great shoes
Size: 6 Toddler, Color: Brown
Perfect for little ones
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Reviewed in the United States on May 28, 2026
★★★★★ 5
Great kids sandals
Size: 9 Toddler, Color: Taupe
These are cute and my kids say they’re comfortable! We got a few colors. Definitely would purchase again. They’ve got good quality.
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Reviewed in the United States on March 18, 2026
★★★★★ 1
Super wide
Size: 13 Little Kid, Color: Taupe
They are oddly very wide. Great for kids with wide chunky feet but for us it was not cute
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Reviewed in the United States on May 18, 2026
★★★★★ 2
Nice but runs small
Size: 7 Big Kid, Color: Navy
The sandals are nice and not to hard or flimsy but they are cut very small.
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Reviewed in the United States on April 22, 2026
★★★★★ 4
Solid Kids Sandals, Overpriced Like Most Kids Shoes 🌞
Size: 11 Little Kid, Color: Brown, Size: 11 Little Kid, Color: Brown
My son hasn’t worn these yet since it’s December in Indiana and sandals + snow obviously don’t mix. 😂 So this review is based on first impressions rather than long term wear.
That said, these seem wider than a lot of typical kids’ sandals, which I REALLY appreciate since we tend to have wider feet in our family. #hobbitfeet
The quality feels pretty decent overall. They’re described as lightweight, and while they’re not insanely lightweight, they do have enough weight to feel semi-sturdy and not flimsy or cheap. I like the style and color, and I think they’ll work well for my son once warmer weather hits.
My main complaint is the price. At just under $24 at the time of this review, it feels a little high for kids’ sandals and for what these are. I really feel like $20 MAX would make more sense. Kids shoes are almost always priced like adult shoes, even though they clearly use less material, and that’s hard for me to understand and wrap my mind around. Overall, these seem solid for daily wear, I just wish the price was a bit more reasonable and affordable.
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Reviewed in the United States on December 31, 2025