SKU: 8535260455

Raul Enmanuel - La Lampara

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Description

Raul Enmanuel - La Lamparadone in 2006 medium acrylic, charcoal, and material (wood particles, and moulding paste) on canvas. size 40" x 50" description This painting is a striking example of Enmanuels growing mastery of the canvas medium. His command of texture, composition, symbology, and technique continues to strengthen, and this latest work clearly reflects that evolution. While the imagery leans toward abstraction, Enmanuel has indicated that these paintings represent


done in 2006 

medium-  acrylic, charcoal, and material (wood particles, and moulding paste) on canvas.

size - 40" x 50"

description

This painting is a striking example of Enmanuel’s growing mastery of the canvas medium. His command of texture, composition, symbology, and technique continues to strengthen, and this latest work clearly reflects that evolution. While the imagery leans toward abstraction, Enmanuel has indicated that these paintings represent feminine, divine beings—benevolent, protective, and supportive in nature. The result is a powerful visual presence, where symbolic forms merge seamlessly with the abstract, tropical landscape aesthetic for which he has become increasingly recognized.

Enmanuel has transformed these historical touchstones into a wholly original iconography—one that reflects a profound reverence for nature and carries a depth and intensity rarely encountered in contemporary painting. The tropical, atmospheric qualities for which he has become known are seamlessly integrated, creating a work that is both intellectually grounded and visually commanding.

At MLA, we focus on artists whose work demonstrates both conceptual rigor and exceptional technical mastery. Enmanuel embodies this rare convergence.
 
This painting is part of his most recent series, with a limited number of related works available. Private inquiries are welcomed.

 

Enmanuel's work was prominently featured in the 4th season of the Fox Television's show "Prison Break". It was used to decorate the loft space in the show, and his work can be seen in a number of episodes. 

 

The origins of his iconography are in the early work of Wifredo Lam. One can see elements that are a reminder of this great artist's work. Though Enmanuel has used these elements as a point of inspiration, he has succeeded in making the work entirely his own. He has focused on Lam's early jungle work as a jumping off point, to create a body of symbols, and a language that depicts a reverence for Mother Nature, and his work has a power and intensity that is rarely found in contemporary art. We at MLA search for contemporary artists that have both conceptual genius, and technical mastery. A combination of qualities rarely found today, but present in abundance in the work of this brilliant artist. Enmanuel was selected to create two huge murals in Cuba. One is a 40 ft. mural at the Railway Station in Santiago, and the other is a 30 ft. mural in the lobby of the Melia Cohiba, which is the top hotel in Eastern Cuba. These are both extremely prestigious projects, and have placed this great artist in an important historical context. 

 

We have been in business for 20 years, and enjoy a very good feedback rating. We believe in, and offer outstanding customer service. We offer a life-time trade in policy. Please inquire. We enjoy a very good feedback rating. Check out MLA Gallery, Los Angeles on Google or on Facebook, at https://www.facebook.com/mlagallery/

 

MLA Gallery has many other paintings by Enmanuel, as well as a large selection of paintings, graphics, sculptures, and drawings by established Latin artists, and Latin Masters. Please inquire for many others.

 

 

Some biographical info on Enmanuel is as follows:

RAUL ENMANUEL POZO - BIOGRAPHY

Born in San Luis, Santiago, Cuba, 1958

 

Studies

1980-1985 Higher Institute of Art “CUBANACAN”, Havana, Cuba

1976-1980 National School of Art “CUBANACAN”, Havana, Cuba

1973- 1976   School for Plastic Arts Jose Joaquin Tejada, Santiago de Cuba

 

Solo Exhibitions

2004 – La locomotora de mi papa, Canvas Gallery, San Juan, Puerto Rico

2002 – Buscando Caminos, Galeria Juan Marinillo, Institute for the Friendship

            with People, Havana, Cuba

2000 – Mi Tiempo Vegetal, Casa de Teatro, Santo Domingo, Dominican Republic

1999 – Mi Tiempo Vegetal, Casa de Arte, Santiago de los Caballeros, Dominican

            Republic

1999 – Acrilicos sobre Telas, Galeria Oriente, Santiago, Cuba

1994 – Galeria Coral, Santa Fe de Bogota, Colombia

1993 – Tropico, Center of Applied Studies, Santo Domingo, Dominican Republic

1991 – Amuletos Recuerdo de mis abuelos, Galeria Oriente, Santiago, Cuba

1989 - Dibujos sobre Cartulinas, Galeria Cine Cuba, Santiago, Cuba

1988 – Dibujos sobre Cartulinas, Festival of Cuban Culture, Burdeo, France

1987 – 2nd annual Festival of Cuban Culture, Havana, Cuba

1987 – Apuntes para un Proyecto, Galeria de Arte Universal, Manzanillo, Cuba

1986 – De lo Nuestro La Vegetacion, Galeria de Arte Universal, Santiago, Cuba

1985 – Muntu, Galeria Galeano, Havana, Cuba

 

Collective Exhibitions

 

Participated in over 50 group shows in Cuba, the Dominican Republic, Colombia,

Portugal, France, and the United States.

 

2008 – The Americas Collection – Coral Gables, Florida

2008 – Featured artist - Spring Brewery Artwalk, MLA Gallery, Los Angeles, CA

2008 – Spring Brewery Artwalk, LS Contemporary, Los Angeles, CA

2007 – Fall Brewery Artwalk, MLA Gallery, Los Angeles, CA

2007 – Outstanding new contemporary artists, LS Contemporary, Los Angeles, CA

2007 – Elements of Abstraction, Gallery on State, Santa Barbara, CA

2006 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2005 – Crosscurrents, Soho Gallery, Studio City, CA

2005 – Contemporary Visions, Audis Husar Fine Art, Beverly Hills, CA

2005 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2004 – Tropical Profundo, MLA Gallery, Los Angeles, CA

2004 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2003 - Brewery Artwalk, MLA Gallery, Los Angeles, CA

2003 - Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic

2002 – Brewery Artwalk, MLA Gallery, Los Angeles, CA

2002 – Cuban Painters, Naipe Museum, Havana, Cuba

2001 – Cuban Artists, Gallery Nader, Santo Domingo, Dominican Republic


2000 – Four Abstract Painters, Galeria San Ignacio, Havana, Cuba

2000 - Participant in the 7th Havana Biennial

1999 - End of the Century Hall, Emilio Bacardi Museum, Santiago, Cuba

1999 - Serigraphy Workshop, Taller Rene Portocarrero, Havana, Cuba

1999 - Cuban Painters, Museum of the Americas, San Juan, Puerto Rico

1998 - Galeria de Arte Universal, Santiago, Cuba

1998 - Galeria Oriente, Santiago, Cuba

1997 - Salon de 30 de Noviembre, Santiago, Cuba

1996 - The Gallery of the Hotel Melia Cohiba, Santiago, Cuba

1995 - House of Culture Gallery, Lisbon, Portugal

1994 - Art Center Gallery, Nelva, Colombia

1994 – Five Cuban Painters, Viva del Arte Galeria, Bogota, Colombia

1993 - Four Cuban Painters, Art Gallery of the Dominican Institute of Applied

            Studies ( IDEA), Santo Domingo, D.R.

1990 – Contemporary Painting, Center for Dominican Architecture, Santo                                  

            Domingo, Dominican Republic

1988 – Cuban Painters, Centro de Arte 501, San Francisco

1988 - Cultural Assets Hall Fund, Santiago, Cuba

1987 - Salon 30 de Noviembre, Santiago, Cuba

1987 - Galeria de Arte Universal, Santiago, Cuba

1986 - Seven Cuban Painters, Gallery of the House of Culture, Havana, Cuba

1986 - Participant in the 2nd Havana Biennial

1985 - Students Hall of the Hermanos Sainz Brigade, Galerie Oriente, Santiago,

            Cuba

1984 – Students Hall, Higher Institute of Art, Cubanacan, Havana, Cuba

1984 - Participant in the 1st Havana Biennial – A Tribute to the Triumph of the

            Cuban Revolution, Lobby of the Carl Marx Theatre, Havana, Cuba

 

Murals

 

Restaurant of Melia Cohiba Hotel, Santiago, Cuba

Railway Terminal, Santiago, Cuba

Executive Airport, Santiago, Cuba

 

Awards

 

1999 - National Prize of Serigraphy, Workshop “Rene Portocarrero”

1998 - Cuban Cultural Assets Fund, 1st prize for painting

1998 - Salon Fin de Siglo, National Union of Cuban Writers and Artists (UNEAC)

1997 - Honorable mention – Emilio Bacardi Museum, Santiago, Cuba

 

1997 - First Prize, Acquisition for Permanent Collection, Emilio Bacardi Museum,

            Santiago, Cuba

1989 - National Award for the Painting on Canvas, TELARTE Vll, Cultural assets

            of Cuba Fund

1987 - Honorable mention, Painting, City Hall, Santiago, Cuba

1986 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba

1985 - Honorable mention, Students Hall of the Hermanos Sainz Brigade,

           Galeria Oriente, Santiago, Cuba

1984 – 1st Prize for the Carnival Poster, San Luis, Santiago, Cuba

 

Distinctions

 

1998 - Shield of Villa de San Luis de las Enramadas, Santiago, Cuba

1997 – Official Key of the Cultural Assets of Cuba Fund, Santiago, Cuba

            Member of UNEAC (National Union of Cuban Writers and Artists)

            Member of the International Association of Plastic Artists

 

Collections

 

His works can be found in many permanent and private collections.

 

Emilio Bacardi Museum, Santiago, Cuba

Museo Polivalente, Santiago, Cuba

Center of Art Ceballo Estrella, Santiago, Cuba

MLA Gallery Collection, Los Angeles, CA

Banco de Reservas, Santo Domingo, D.R.

In addition to many private collections throughout Cuba, the Dominican Republic,

Colombia, Mexico, Jamaica Spain, Germany, France, Italy, Portugal, and the United States.

 

 

For more info call us at (323) 744-7550, or to see a greater selection of the gallery work, please visit our Artnet site at:




 

 

 
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Kid Mars
Massapequa, US
★★★★★ 5
A Solid Monitor Stand
Size: Single, Style: Free-Standing
This is an extremely sturdy monitor stand. Easily assembled in less than 20 minutes. Instructions were simple. The hex tools came with the stand, but you just need a Nr 2 Phillips Screwdriver for the bolts mounting the VESA plate to the monitor. Take note that this stand has a heavy base to hold larger/heavier monitors up to 22 lbs, but does not take a lot of space. I chose this variant so that it could handle my heavy 24-inch Planar monitor. The included cable management clip was a nice touch. Rotation and tilt feature moves easily and has decent range. I'm very happy with my purchase and it was available for overnight shipment in my region.
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Reviewed in the United States on December 28, 2025
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Everyday Reviews
New York, US
★★★★★ 4
WALI Dual Monitor Stand: A Solid, Space-Saving Base Camp
Size: Dual, Style: Free-Standing
WALI Dual Monitor Stand: A Solid, Space-Saving Base Camp I needed to reclaim some real estate on my crowded desk, and this WALI freestanding mount did the trick. It's a straightforward, no-frills solution that holds my two 24-inch monitors securely and opens up a ton of space underneath. Assembly is intuitive, though having a second pair of hands is helpful when you're attaching the monitors to avoid any tipping. The all-metal construction feels sturdy and reliable. The adjustments are basic but effective—you can raise or lower both monitors together on the central pole and tilt or swivel them individually to get the angles just right. The included cable management clips are a nice touch for keeping things tidy. The key thing to understand with any freestanding mount is balance. If you extend the arms all the way out toward you, the whole unit can get top-heavy and want to tip forward. I keep my monitors positioned more centered over the heavy base, and it's perfectly stable. It's not meant for dramatic, extended poses. For the price, it's fantastic value. It doesn't have the infinite, fluid adjustability of high-end gas-spring arms, but it doesn't need to. It lifts your monitors, frees up your desk, and does its job without any fuss. Bottom Line: An excellent, budget-friendly way to lift two monitors and dramatically increase your usable desk space. Just be mindful of the center of gravity and don't expect ultra-flexible, independent positioning.
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Reviewed in the United States on August 26, 2025
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Erik Okerholm
Battle Creek, US
★★★★★ 5
Nice, sturdy, and supportive and easy to set up for my dual 27" monitors!
Size: Dual, Style: Free-Standing
Nice, sturdy, and supportive and easy to set up for my dual 27" monitors!
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Reviewed in the United States on May 18, 2026
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Needsmorenails
Bozeman, US
★★★★★ 5
Easily supports a pair of 26" displays
Size: Dual, Style: Free-Standing
I have no complaints with this stand. It is not as nice as the Inland brand sold at MicroCenter, but it does its job. It beats the price of the MicroCenter one, thats for sure. It comes with all the hardware you might need, even long screws and bushings if you have a display that needs them. Assembly was quick. It comes mostly assembled anyway. You have to put the bottom on the post then attach the assembled arms to the post. Setting up can be a challenge but with help, its easy. After mounting the bracket on the back of the displays, you just slide them into the receiver on the arms. Once mounted, adjusting the position is simple, but can take a while as there are several joints which can be positioned to angle the displays as you like. The cord clips do an OK job of cord management, but the clips are not as good as the Inland ones. They do the job, but not as durable. I broke the one that goes on the post, but I tried getting it to hold a wad of wire. My fault. I recommend this stand.
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Reviewed in the United States on December 3, 2025
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Joshua Jordan
Massapequa, US
★★★★★ 5
It's simple, it works, & its price makes for a good deal
Size: Single, Style: Free-Standing
I needed a stand for a 27" VIZIO TV that had been wall-mounted for a few years, & (?) the original stand must've got the toss long ago... It's hard to say... I found this stand on Amazon priced right, plus it had a coupon attached to the listing. I scrolled down & I saw a "newer model" of the same product was available, so I was initially hesitant. But, looking at the product pictures, reading the description, & scanning through some of the reviews, then the same with the "newer model" — the only difference I could see was mostly aesthetic (it also appears to have a desk mount included, which wouldn't have worked for me regardless of its purpose—either for conversion to a desk stand-off mount, or to further secure the stand....?) Eventually, I just thought "....it's a stand with a VESA mount; how do you **** that up...?" And I really couldn't think of anything...even if the VESA bracket was milled not to spec (it is milled to spec), I could have still made it work....(?) So, I made the purchase, received it, & 9-10 screws later, the TV had a stand. & I'm guessing a much more versatile stand than the original. The bracket that attaches the stand to the VESA mount can lower or raise the TV quite a bit. Even in it's highest position, it's still retains its sturdiness & remains stable. The baseplate has a decent amount of weight, and its overall design is well balanced to favor stability (to a tolerance; e.g., an old CRT monitor just isn't going to work). The stand is literally 4 basic pieces—the VESA bracket, an articulating bracket, a metal tube, & a metal baseplate. If you have a standard phillips screwdriver, then the stand is easy to assemble. If you have any experience with TV mounts, or TV stands, then it assembles in less than 15 minutes. Given what you get for the price, the ease of assembly, the added versatility, if you need a stand for a screen within the manufacturer's specific tolerances, then I would absolutely recommend this stand.
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Reviewed in the United States on July 19, 2021

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